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Kozlovski, K. (2017). Shostakovich's Preface and Russian literary criticism: Or how different forms of chuzhoe slovo such as skaz and polygenetic quotation, as well as some other concepts that were developed by very many distinguished Russian literary scholars - not only by members of Russian formal school and the Bakhtin circle, but also their respected and honourable successors - help to create several peculiar effects, namely contradiction, ambiguity, overloading text with referential connections and - last but not least - verbosity in the Preface to the Complete Edition of My Works and a Brief Reflection apropos this Preface op. 123 for bass voice and piano by Dmitri Shostakovich.

Kozlovski, Kirill. Shostakovich's Preface and Russian Literary Criticism: Or How Different Forms of Chuzhoe Slovo Such as Skaz and Polygenetic Quotation, as Well as Some Other Concepts That Were Developed by Very Many Distinguished Russian Literary Scholars - Not Only by Members of Russian Formal School and the Bakhtin Circle, but Also Their Respected and Honourable Successors - Help to Create Several Peculiar Effects, Namely Contradiction, Ambiguity, Overloading Text with Referential Connections and - Last but Not Least - Verbosity in the Preface to the Complete Edition of My Works and a Brief Reflection Apropos This Preface Op. 123 for Bass Voice and Piano by Dmitri Shostakovich. 2017.

Kozlovski, Kirill. Shostakovich's Preface and Russian Literary Criticism: Or How Different Forms of Chuzhoe Slovo Such as Skaz and Polygenetic Quotation, as Well as Some Other Concepts That Were Developed by Very Many Distinguished Russian Literary Scholars - Not Only by Members of Russian Formal School and the Bakhtin Circle, but Also Their Respected and Honourable Successors - Help to Create Several Peculiar Effects, Namely Contradiction, Ambiguity, Overloading Text with Referential Connections and - Last but Not Least - Verbosity in the Preface to the Complete Edition of My Works and a Brief Reflection Apropos This Preface Op. 123 for Bass Voice and Piano by Dmitri Shostakovich. 2017.

Kozlovski, K. 2017. Shostakovich's Preface and Russian literary criticism: Or how different forms of chuzhoe slovo such as skaz and polygenetic quotation, as well as some other concepts that were developed by very many distinguished Russian literary scholars - not only by members of Russian formal school and the Bakhtin circle, but also their respected and honourable successors - help to create several peculiar effects, namely contradiction, ambiguity, overloading text with referential connections and - last but not least - verbosity in the Preface to the Complete Edition of My Works and a Brief Reflection apropos this Preface op. 123 for bass voice and piano by Dmitri Shostakovich.